- Bowie in Berlin. Where in the hell did my $0.99 copy of Station to Station go? Is it wrong of me to consider the I. Pop/D. Bowie work of this period to be "of a feather" with Lou Reed's contemporaneous Berlin?
- Grave Error and Death Bed (John Marshall Tanner novels) by Stephen Greenleaf. This series is another reshuffling of the CA private eye vibe, unfolding the San Francisco of them 1970s. Greenleaf/Tanner's politics certainly don't suck, but more importantly these are very sharp, deadpan stories. They help me to feel like a) I'm not alone in the universe, and b) someone hears my screams.
- The bleeping Neil Halstead album that completely has bleeping captivated me. Surprising to hear me fixate on acoustic-y wish-wash? i know, i know. esp in this cntxt:
One night while in the studio with Neil Halstead a friend questioned him as to what kind of music he played. Neil's extremely thick beard turned into a smile as he said "Nylon Rock" before laughing and turning back to his beer. I don't think that description offered any clarity to the asker, but to me it seemed perfect: a self effacing term to help him deal with the fact that he, a former shoegazer, was making a solo record and his main weapon was simply a nylon string guitar and a couple of shakers.
- DC Vs. Mortal Combat Video Game that I have never played, will prolly never play. But I take great solace in knowing that somebody out there is getting to simulate my fantasy of a death bout between Raiden and whoever-the-crap. 2008, people!
The series loves gruesome combat, but pines for the mainstream adulation. When games were less bloody, that was an easy balance to strike. Gouts of gore plus catchphrases ("Finish him!") and the allure of shocking hidden fatalities added up to massive sales and popularity. Now that those elements are commonplace, how to recapture the attention of old?
Throw Batman into the mix, obviously. Mortal Kombat Vs. DC Universe mixes up the stable of MK fighters with heroes (Superman, Wonder Woman) and villains (the Joker, Catwoman) from DC's comic-book pantheon.
- quality time with uncle. and uncle's pronouncements on behalf of the Democratic party.
- Cards play-by-play and, more embarassingly, the solo ryan spew.
- Gone Baby Gone is le non-crap, so far as adaptations of Lehane novels go. Not so good as Mystic River, tho.
- The film criticism of Bruce Bennett for the NY Sun.
- The Shop Around the Corner by Ernest Lubisch. It's a lovely film to watch with a loved one, so I watched it (and A Holiday Affair) with my loved one on the morning of the dur-befur-yursturdur...Cripes, I love it, even though it was used as the script-skeleton for, shucks, You've Got Mail.
Monday, December 8, 2008
Posted by lex dexter
MI-5 or Spooks, title depending on which side of the drink you're on. This is your slick, techno-laced representation of the 9/12 Anglo-American alliance. Quality acting and the writing fine. The show has also withstood quite a few major cast changes without "jumping the shark"or otherwise plummeting into the crap-realm. Certainly I don't like spies as much as I like cops or private eyes. But I certainly do like spies. (And wonky research spies, in particular. And government bureaucrats. And every other imaginable genre of "functionary.") Can you hear the laptop-based-drum-sequenced blips, yet? So what if, in addition to its being "good," the show is like 24 for fans of the Crystal Method?